The 2021 Colorado Writing Workshop: July 9-10, 2021

Screen Shot 2016-12-25 at 10.34.26 PM.pngAfter successful 2014, 2017, 2019 and 2020 events in Colorado, Writing Day Workshops is excited to announce The 2021 Colorado Writing Workshop — an online “How to Get Published” writing event on July 9-10, 2021. (Writers are welcome to attend virtually from everywhere and anywhere.)

This writing event is a wonderful opportunity to get intense instruction over the course of two days, pitch a literary agent or editor (optional), get your questions answered, and more. Note that there are limited online “seats” at the event (200 total). All questions about the event regarding schedule, details and registration are answered below. Thank you for your interest in the 2021 Colorado Writing Workshop!

ONLINE: The 2021 CWW is now an Online Conference to keep everyone safe, on July 9-10, 2021. There is much more to say about this, but immediately you should understand 1) Online events are easy and awesome, and the online events we’ve done thus far have received wonderful feedback, 2) You do not have to be tech-savvy to do this, and 3) We are keeping all aspects of a traditional in-person event, including one-on-one agent & editor pitching, which will now be done by Skype or Zoom or phone. Learn all details about what it means to have a writers conference online.)

WHAT IS IT?

This is a special two-day “How to Get Published” online writing workshop on July 9-10, 2021. In other words, it’s two days full of classes and advice designed to give you the best instruction concerning how to get your writing & books published. We’ll discuss your publishing opportunities today, how to write queries & pitches, how to market yourself and your books, what makes an agent/editor stop reading your manuscript, and more. No matter what you’re writing — fiction or nonfiction — the day’s classes will help point you in the right direction. Writers of all genres are welcome. And even though this is the “Colorado” Writing Workshop, make no mistake — writers from everywhere are welcome to attend virtually.

This event is designed to squeeze as much into two days of learning as possible. You can ask any questions you like during the online classes, and get your specific concerns addressed. We will have literary agents onsite to give feedback and take pitches from writers, as well. This year’s 2021 CWW agent faculty so far includes:

  • literary agent Pam Gruber (Irene Goodman Literary)
  • literary agent James Mustelier (The Bent Agency)
  • literary agent Karly Dizon (Fuse Literary)
  • literary agent Leticia Gomez (Savvy Literary)
  • literary agent Jamie Vankirk (Rainbow Nerds Literary)
  • literary agent Sera Rivers (Martin Literary Management)
  • literary agent Erin Hosier (Dunow, Carlson and Lerner)
  • literary agent Chelsey Heller (Aevitas Creative Management)
  • literary agent Kelly Peterson (Rees Literary)
  • literary agent Kaitlyn Sanchez (Context Literary)
  • literary agent Leslie Varney (Prentis Literary)
  • literary agent Paige Terlip (Andrea Brown Literary Agency)
  • literary agent Barb Roose (Books & Such Literary)
  • literary agent Em Lysaght (Ladderbird Literary)
  • literary agent Annie Bomke (Annie Bomke Literary)
  • literary agent Paul S. Levine (Paul S. Levine Literary)
  • literary agent Latoya C. Smith (LCS Literary)
  • literary agent Cecilia Lyra (P.S. Literary)
  • literary agent Laura Strachan (Strachan Literary)
  • literary agent Carlisle Webber (Fuse Literary)
  • literary agent Amy Guiffrida (Jennifer De Chiara Literary)
  • literary agent Kaitlyn Johnson (Belcastro Agency)
  • and more to come

By the end of the day, you will have all the tools you need to move forward on your writing journey. This independent event is organized by coordinators Chuck Sambuchino and Brian Klems of Writing Day Workshops.

EVENT LOCATION & DETAILS:

ONLINE: The 2021 CWW is now an Online Conference to keep everyone safe, on July 9-10, 2021. There is much more to say about this, but immediately you should understand 1) Online events are easy and awesome, and the online events we’ve done thus far have received wonderful feedback, 2) You do not have to be tech-savvy to do this, and 3) We are keeping all aspects of a traditional in-person event, including one-on-one agent & editor pitching, which will now be done by Skype or Zoom or phone. Learn all details about what it means to have a writers conference online.)

THIS YEAR’S SESSIONS & WORKSHOPS (JULY 9-10, 2021):

What you see below is a quick layout of the day’s events. See a full layout of the day’s sessions, with detailed descriptions, on the official Schedule Page here.

Agent pitches and critique consultations overlap with Saturday sessions. The schedule of presentation topics below is subject to change and updates:

FRIDAY, JULY 9, 2021

9:30 – 10:30: XXX. XXXXX.

10:45 – 11:45: XXX. XXXXX.

11:45 – 1:15: Break

1:15 – 2:30: XXX. XXXXX.

2:45 – 3:45: XXX. XXXXX.

4:00 – 5:00: XXX. XXXXX.

* * * * *

SATURDAY, JULY 10, 2021

9:30 – 10:30: XXX. XXXXX.

10:45 – 11:45: XXX. XXXXX.

11:45 – 1:15: Break

1:15 – 2:30: “Writers Got Talent”—a Page 1 Critique Fest, with participating literary agents and editors. In the vein of “American Idol” or “America’s Got Talent,” this is a chance to get your first page read (anonymously — no bylines given) with attending agents commenting on what was liked or not liked about the submission.

2:45 – 3:45: Open Agent Q&A Panel. Several attending literary agents will open themselves up to open Q&A from CWW attendees. Bring your questions and get them answered in this popular session.

4:00 – 5:00: XXX. XXXXX.

Agent pitches and critique consultations overlap with Saturday sessions. The schedule of presentation topics below is subject to change and updates:

(What you see here is a quick layout of the day’s events. See a full layout of the day’s sessions, with detailed descriptions, on the official Schedule Page here.)

Agent & Editor Pitching: All throughout the day.

————-

PITCH AN AGENT OR EDITOR:

Pam Gruber is a literary agent with Irene Goodman Literary. Pam is looking for adult, young adult, and middle grade fiction with literary voices and commercial hooks. She is particularly interested in layered fantasy, speculative fiction, fantastical realism, rom-coms, and coming-of-age stories with a twist. She is also open to middle grade and YA graphic novels, as well as select narrative non-fiction on lesser-known subjects. Pam would not be the best fit for prescriptive nonfiction, anthologies, potty humor, paranormal, or erotica. Learn more about Pam here.

James Mustelier is a literary agent with The Bent Agency. “I’m looking for both literary and commercial adult fiction. In literary fiction, I’m specifically drawn to visceral honesty coupled with a dark sense of humor. In commercial fiction I’m looking for horror, mystery, and thrillers. My favorite books have distinct and memorable voices that grab the reader’s attention, and a narrative gravity that permeates every action in the story.” Pitch him literary fiction, crime, mystery, suspense, horror, humor, young adult, and short story collections. Learn more about James here.

Karly Dizon is a literary agent with Fuse Literary. Karly has a deep love for characters with a strong voice and seeks out stories she can get lost in. Diversity in genre fiction is a major bonus. She specializes in picture book, middle grade, and young adult genre fiction (fantasy, science fiction, and contemporary). Learn more about Karly here.

Screen Shot 2019-07-09 at 11.51.01 PM.pngLeticia Gomez is a literary agent and the founder of Savvy Literary. At the present time, Savvy Literary Agency is interested in reviewing compelling and commercially viable book proposals and manuscripts written in English or Spanish. Fiction areas of interest: adventure, chick lit, fantasy, historical, humor, multicultural, mystery, paranormal, romance, young adult, and middle grade. Nonfiction areas of interest: advice/relationships, biography, cooking, diet, health, history/politics/current affairs, how-to, humor, lifestyle, memoir, parenting, religion/spirituality and true crime. Learn more about Leticia here.

Sera Rivers is Senior Literary Manager at Martin Literary Management. Sera is currently accepting queries for middle grade and young adult fiction and graphic novels, as well as the occasional picture book. Sera is especially interested in inclusive narratives and #ownvoices representation. She welcomes queries by children’s authors and illustrators who identify as BIPOC, LQBTQIA+ and other underrepresented and marginalized identities and cultures. Learn more about Sera here.

Jamie Vankirk is a literary agent with Rainbow Nerds Literary. Jamie is looking for young adult novels. She is particularly interested in LGBT, POC, and other marginalized groups. #OwnVoices are encouraged. Within young adult, she seeks contemporary fiction, fantasy, science fiction, historical fiction & fantasy, thriller, and mystery. Learn more about Jamie here. “Founded in 2017, Rainbow Nerds Literary is an advocate for diversity. We work with first-time authors or long-time veterans to better hone their craft and reach broader audiences.” Learn more about Jamie here.

Barb Roose is a literary agent with Books & Such Literary. Barb represents nonfiction and adult fiction exclusively to Christian publishers. She loves partnering with authors to achieve their publishing career goals. With experience as an author, award-winning pharmaceutical sales representative and executive leader in the megachurch environment, Barb embraces the challenges and opportunities that agenting in Christian publishing offers. Her desire is to come alongside hopeful and established authors to create the most marketable, appealing manuscripts that will build lasting careers and influence readers. Learn more about Barb here.

Erin Hosier is a literary agent with Dunow, Carlson and Lerner. Erin primarily works with nonfiction authors and has a special interest in popular culture, music biography, humor, women’s issues and memoir.  She has been a literary agent since 2001 (currently with Dunow Carlson & Lerner), and was an original co-host of the Literary Death Match. Learn more about Erin here.

Chelsey Heller is a literary agent with Aevitas Creative Management. As an agent, she is seeking nonfiction across all categories, especially self-help, memoir, narrative nonfiction, pop culture, history, big ideas, popular science, and cookbooks. She is particularly drawn to fresh narratives, whether in the form of history explored through a new lens, an innovative concept that stokes self-improvement, or an electric voice in memoir. She is also seeking fiction across psychological suspense, thriller, commercial fiction, historical fiction, and crime fiction. Learn more about Chelsey here.

Kelly Peterson is a literary agent with Rees Literary. Kelly seeks manuscripts in various genres within Middle Grade, Young Adult, and Adult age ranges. In Middle Grade, she loves fantasy, sci-fi, and contemporary that touches on tough issues for young readers. Her Young Adult preferences vary from contemporary to high fantasy, sci-fi (not the space kind) to paranormal (all the ghost stories, please!), and historical all the way back to rom-coms. Kelly is proud to continue to represent Adult manuscripts in romance, fantasy, and sci-fi. She is very interested in representing authors with marginalized own voices stories, witty and unique characters, pirates, witches, and dark fantasies. Learn more about Kelly here.

Kaitlyn Sanchez is a literary agent with Context Literary. “I mainly represent Kidlit authors and author-illustrators. That includes board books, picture books, chapter books, middle-grade novels, and young adult novels. Please do not pitch me adult books at this time. For middle-grade and young adult: “I enjoy character-driven coming of age stories, mysteries, historical fiction, and dramas, especially with great friendships, and of course I always love diversity. I would definitely consider books in verse as well in this category.” Learn more about Kaitlyn here.

Laura Strachan is a literary agent and principal of the Strachan Literary Agency, which she founded over 20 years ago. She is seeking literary fiction and upmarket commercial fiction. (In general no genre fiction unless it is highly literary.) In nonfiction, she also seeks some memoir and travel writing. Learn more about  Laura here.

Kaitlyn Johnson is a literary agent with Belcastro Literary Agency. “As a Literary Agent with Belcastro Literary Agency, I am accepting submissions for Upper MG, as well as Young Adult and Adult. I’d love more LGBTQ+ storylines in all genres and ages (especially bi, ace, and trans voices!). I’m also very much looking for more main characters living with mental health issues or disability.” Kaitlyn also seeks graphic novels for all ages. She does not want picture books or nonfiction. Learn more about Kaitlyn here.

Annie Bomke is a literary agent with Annie Bomke Literary Agency. She represents a wide variety of adult and YA fiction and nonfiction, including commercial and literary fiction, upmarket fiction, mysteries (from hilarious cozies to gritty police procedurals and everything in between), historical fiction, women’s fiction, psychological thrillers, literary/psychological horror, self-help, business, health/diet, cookbooks, memoir, relationships, current events, psychology, and narrative nonfiction. Learn more about Annie here.

Em Lysaght is a literary agent with Ladderbird Literary. Em is a queer ex-classicist based in Oakland, CA. She is looking for queer fantasy, sci-fi, and graphic novels for all age ranges. Outside of agenting, she draws comics about queer monsters being friends and travels the globe scoping out stationary stores. She is looking for genre-blending commercial queer Fiction in YA/MG/Adult/Graphic Novels with a particular focus on BIPOC authors and authors of marginalized identities. Learn more about Em here.

Latoya C. Smith is a literary agent with LCS Literary. In fiction, she seeks high-concept women’s fiction; high-concept mystery, thriller and horror, romance (contemporary, romantic suspense, cowboys, historical, LGBTQ, paranormal, sweet), comedy / romantic comedy, and young adult (no SF/F). In nonfiction, she is strictly seeking platform and market-based books in the areas of memoir, how to, advice, relationships, health, wellness, politics, current events, history, sports, pop culture, and business. Learn more about Latoya here.

Carlisle Webber is a literary agent at Fuse Literary. Carlisle is looking for: high-concept commercial fiction in middle grade, young adult, and adult. If your book is fresh and exciting, tackles difficult topics, reads like a Shonda Rhimes show, or makes readers stay up late turning pages, she’s the agent for you. Diverse authors are encouraged to submit their fiction. Within the genres she represents, Carlisle is especially interested in stories by and about people of color; with both visible and invisible disabilities and illnesses; who are economically disadvantaged; who are gay, lesbian, bisexual, transgender, or queer; or who are members of religious minorities. Pitch her: Middle grade (any genre), Young adult (any genre), thriller, mystery, suspense, horror, women’s fiction, and popular/mainstream fiction. Learn more about Carlisle here.

Leslie Varney is a literary agent with Prentis Literary. She is seeking: “Prentis Literary is actively seeking new authors with fresh, intelligent voices. While we have historically focused on Science Fiction and Fantasy, our true passion is a well-crafted story that engages and captures the imagination, regardless of the genre. We have a focus on inclusion and providing representation for authors with diverse points of view. We support and help with career development on an individual basis, tailoring our approach to the unique needs of each author.” Learn more about Leslie here.

Screen Shot 2019-09-27 at 1.37.27 PMPaul S. Levine is a literary agent and the founder of Paul S. Levine Literary. He is also an attorney. His fiction interests include adventure novels, mainstream fiction, mysteries, romance, thrillers, and women’s fiction. His nonfiction interests include business/commerce, pop culture, how-to, self-help, politics/law, relationships, and sports. Learn more about Paul here.

Paige Terlip is a literary agent at Andrea Brown Literary Agency. Paige represents all categories of children’s books from picture books to young adult, as well as select adult fiction and nonfiction. She is also actively building her list of illustrators and is especially looking for author-illustrators and graphic novel illustrators. On the adult side she is open to thrillers/psychological suspense, fantasy/sci-fi, upmarket fiction, cozy mysteries, as well as narrative nonfiction and self-help that centers the mind, body, and spirit. She loves stories that make her feel a range of emotions, even if that means she ugly cries while reading. She wants a narrative that will stick with her long after reading. Learn more about Paige here.

Cecilia Lyra is an associate agent at P.S. Literary representing adult fiction and nonfiction. In terms of nonfiction, Cecilia is seeking Psychology, Pop Culture, Science, Business, and Lifestyle from experts in their fields with an original angle, as well as compelling memoirs—both long-form and memoir-in-essays. As for fiction, Cecilia is passionate about voice-y Literary Fiction and fast-paced Commercial Fiction. She adores reading about dysfunctional families from the point-of-view of a morally ambiguous protagonist. Books that are centered around feminist issues have a special place in her heart. Above all else, Cecilia is looking for a story she can’t put down. Learn more about Cecilia here.

Amy Giuffrida is a literary agent with Jennifer De Chiara Literary. “​I am always looking for #ownvvoices stories written by traditionally underrepresented authors that feature BIPOC and LGBTQ+ characters.” In middle grade and young adult, she seeks horror, romance, contemporary, and mystery. In adult fiction, she seeks horror, romance, romantic comedies, and psychological thrillers. In nonfiction (all ages from MG to adult), ” I am looking for powerful stories from diverse voices, including cookbooks that highlight family stories or ancestral anecdotes.” Learn more about Amy here.

x

x

        More 2021 agents to be announced as they are confirmed. You can sign up for pitches at any time, or switch pitches at any time, so long as the agent in question still has appointments open.

These one-on-one meetings are an amazing chance to pitch your book face-to-face with an agent, and get personal, individual feedback on your pitch/concept. If the agent likes your pitch, they’ll request to see part/all of your book — sending you straight past the slush pile. It also gives you an intimate chance to meet with an agent and pick their brain with any questions on your mind.

(Please note that Agent/Editor Pitching is an add-on, separate aspect of the day, for only those who sign up. Spaces are limited for these premium meetings, and pricing/detail is explained below.)

———

PRICING:

$189 — EARLY BIRD base price for registration to the 2021 CWW and access to all workshops, all days. (You also get 10 additional free pre-recorded webinars on writing and publishing.) As of early 2021, registration is now OPEN.

Add $29 — to secure a 10-minute one-on-one meeting with any of our literary agents or editors in attendance. Use this special meeting as a chance to pitch your work and get professional feedback on your pitch. (Spaces limited.) If they wish, attendees are free to sign up for multiple 10-minute pitch sessions at $29/session — pitching multiple individuals. There is no limit. Here are quick testimonials regarding writers who have signed with literary agents after pitching them at prior Writing Day Workshops events. (Our bigger, growing list of success stories can be seen here.)

Screen Shot 2018-11-26 at 11.11.29 AM.png“I met my client, Alison Hammer, at the Writing
Workshop of Chicago and just sold her book.”
– literary agent Joanna Mackenzie of Nelson Literary

Screen Shot 2017-05-02 at 11.47.54 PM.png“Good news! I signed a client [novelist Aliza Mann]
from the Michigan Writing Workshop!”
– literary agent Sara Mebigow of KT Literary

Screen Shot 2018-11-05 at 12.56.10 PM“I signed author Stephanie Wright from
the Seattle Writing Workshop.”
– literary agent Kathleen Ortiz of New Leaf Literary

Screen Shot 2018-05-17 at 9.07.44 PM“I signed an author [Kate Thompson] that I
met at the Philadelphia Writing Workshop.”
– literary agent Kimberly Brower of Brower Literary

Screen Shot 2016-10-16 at 2.54.50 PM.png“I signed novelist Kathleen McInnis after meeting her
at the Chesapeake Writing Workshop.”

– literary agent Adriann Ranta of Foundry Literary + Media

Add $69 — for an in-depth, personal critique of your one-page query letter from Brian Klems, one of the workshop’s former instructors. (This rate is a special event value for Colorado Writing Workshop attendees only.) Registrants are encouraged to take advantage of the specially-priced critique, so they can send out their query letter with confidence following the workshop. Also, if you are meeting with an agent at the event, you’re essentially speaking your query letter aloud to them. Wouldn’t it be wise to give that query letter (i.e., your pitch) one great edit before that meeting?

Add $89 — for an in-depth personal critique of the first 10 pages of your novel. Spaces with faculty for these critiques are very limited, and participating attendees get an in-person meeting at the workshop. Options:

  • Mystery, thriller, general fiction, literary fiction, science fiction, fantasy, romance, women’s fiction: Faculty member Tara Bailey, a writing coach and author, will get your work in advance, critique the first 10 double-spaced pages of your book, meet with you online (Zoom, etc.) or by phone for 15 minutes sometime before the workshop to discuss her thoughts, and pass along written critique notes before or after the meeting.
  • Thriller, suspense, mystery, crime fiction — all of these (and any subgenres) in either adult or young adult: Faculty member Heather Chavez, an author, will get your work in advance, critique the first 10 double-spaced pages of your book, meet with you online (Zoom, etc.) or by phone for 15 minutes sometime before the workshop to discuss her thoughts, and pass along written critique notes before or after the meeting.

How to pay/register — Registration is now open. Reach out to workshop organizer Brian Klems via email: WDWconference@gmail.com, and he will provide specific instructions for payment and registration to get you a reserved seat at the event. Payment is by PayPal or check or credit card. Because Brian plans different workshops, make sure you note that you’re inquiring about the Colorado workshop specifically.

REGISTRATION:

ONLINE: The 2021 CWW is now an Online Conference to keep everyone safe, on July 9-10, 2021. There is much more to say about this, but immediately you should understand 1) Online events are easy and awesome, and the online events we’ve done thus far have received wonderful feedback, 2) You do not have to be tech-savvy to do this, and 3) We are keeping all aspects of a traditional in-person event, including one-on-one agent & editor pitching, which will now be done by Skype or Zoom or phone. Learn all details about what it means to have a writers conference online.)

Are spaces still available? Yes, we still have spaces available. We will announce RIGHT HERE, at this point on this web page, when all spaces are taken. If you do not see a note right here saying how all spaces are booked, then yes, we still have room, and you are encouraged to register.

How to Register: The easy first step is simply to reach out to workshop organizer Brian Klems via email: WDWconference@gmail.com. He will pass along registration information to you, and give instructions on how to pay by PayPal or check or credit card. Once payment is complete, you will have a reserved seat at the event. The CWW will send out periodic e-mail updates to all registered attendees with any & all news about the event. Because Brian plans different workshops, make sure you note that you’re inquiring about the Colorado workshop specifically.

Refunds: If you sign up for the event and have to cancel for any reason at any time, you will receive 50% of your total payment back [sent by check or PayPal or CC refund]. The other 50% is nonrefundable and will not be returned, and helps the workshop ensure that only those truly interested in the limited spacing sign up for the event. (Please note that query editing payments and manuscript editing payments are completely non-refundable if the instructor has already started edited your work.)

Screen Shot 2014-06-12 at 4.10.21 PM

Thank you for your interest in the 2021 Colorado Writing Workshop.

Leave a Reply