Get to Know an Agent Scout in Attendance: Angie Hodapp of Nelson Literary

Screen Shot 2020-01-17 at 9.16.21 PM.pngAngie Hodapp is the Contracts and Royalties Manager for Nelson Literary. At the 2020 Colorado conference, she is taking pitches on behalf of all four agents at her agency: Kristin Nelson, Danielle Burby, Joanna Mackenzie, and Quressa Robinson.

Kristin is currently seeking:

  • Voice and character driven stories well told.
  • Literary or literary/commercial adult novels (Hotel on the Corner of Bitter & Sweet, Where’d You Go Bernadette?, A Man Called Ove)
  • Historical/literary adult novels
  • Big crossover adult novels (literary or upmarket level writing) w/one foot squarely in genre (Wool, Station 11, Lexicon, Ready Player One)
  • Literary Speculative Fiction
  • Voice & character-driven thrillers, science fiction & fantasy
  • Voice & character-driven upmarket women’s fiction, upmarket and smart Chick Lit and Rom Com (Think Crazy Rich Asians, The Kiss Quotient)
  • Young adult & middle grade novels (all genres including contemporary, #ownvoices, boy adventure, magical, girl power, STEM girls are my jam, characters who use brains over brawn)

Danielle is currently seeking:

  • Middle grade and young adult (all genres)
  • Select passion projects in women’s fiction
  • A strong voice, nuanced writing, plots with unexpected twists, high concept
  • Complex female characters, quirky adventures, complicated family dynamics, romantic plotlines that are an element of the narrative but don’t dominate it, seaside novels, girls with swords, stories that take place in the aftermath of disaster (whether personal such as the death of a loved one or bigger picture such as a revolution), magical realism, YA psychological thrillers, sister stories
  • Social justice themes, own voices authors, a special interest in LGBTQ+ stories
  • Recent reads I have loved include (in no particular order) The Thing About Jellyfish, It’s Not Like It’s a Secret, We Are Okay, Landline, The Sun Is Also a Star, Uprooted, Salt to the Sea, We Were Liars, A Spool of Blue Thread, When Dimple Met Rishi, Six of Crows, anything Liane Moriarty, anything Kristin Cashore, anything Sarah Dessen

Joanna is currently seeking:

  • Character-driven and atmospheric mysteries and thrillers—think Tana French, Blake Crouch, and Heather Gudenkauf.
  • Literary fiction—fish-out-of-water experiences, immigrant stories, complex families. I cried my way through The Namesake and couldn’t put down The Round House.
  • Upmarket women’s fiction featuring characters I can’t stop thinking about.
  • Literary and commercial young-adult fiction—I’ll Give You The Sun and Bone Gap and anything that reminds me of Veronica Mars.

Quressa is currently seeking:

  • Modern-day blue stockings, POC fangirls/fanboys, #blackgirlmagic, #carefreeblackgirls, #blackboyjoy, LGBTQ+, neuroatypical/neurodivergent, and disabled POCs as leads
  • Middle Grade (contemporary and SF/F). Cute, quirky, charming, and fun. Along the lines of Kiki’s Delivery Service and Spirited Away.
  • Young adult (contemporary, SF/F, historical)
  • Adult SF/F with strong genre-bending/crossover appeal. (Think the All Souls Trilogy by Deborah Harkness, The Night Circus by Erin Morgenstern, and The Age of Miracles by Karen Thompson Walker. I’m also a fan of Anne Bishop and Naomi Novik.)
  • Literary fiction that is thoughtful, evocative, page-turning (The Mothers, Behold the Dreamers, Tell The Wolves I’m Home, Station 11)
  • Upmarket and commercial fiction
  • Passion projects in narrative nonfiction with a strong literary voice and commercial appeal (Wild by Cheryl Strayed, Hillbilly Elegy by JD Vance, Black Man in a White Coat by Damon Tweedy, When Breath Becomes Air by Paul Kalanithi). Would love to see non-whitewashed cowboy stories; pop science by women, specifically women of color; and literary, voice-driven memoir with commercial appeal.
    #ownvoices and marginalized authors in all genres mentioned above. Inclusive narratives in all genres.

Angie holds a BA in English and secondary education and an MA in English and communication development, and she is a graduate of the Denver Publishing Institute at the University of Denver. The author of Do You Need a Literary Agent?, Angie has worked in language education and professional writing, editing, and publishing for more than twenty years. She is passionate about story and loves helping authors hone their craft and learn about the ever-changing business of publishing.

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